A talk event for automoai himself will be held on January 19, 2024 (Friday).

This is a talk event with Tatsuya Kunieda, a member of the firing book building and book designer, about the exhibition and work collection "Turquoise from Bolivia" with the same title.

[Talk Event Information]
●Date and time: Friday, January 19, 2024 19:00-20:00
●Venue: PARCO MUSEUM TOKYO (Shibuya PARCO 4F)

●Admission fee: 700 yen (tax included)

●Capacity: 30 people (prior reservation application first come, first served, unreserved seats)

※Advance reservations will be given priority entry. For details on advance reservations, please refer to "Pre-Reservation of Talk Events".

※Tickets will also be sold at the venue reception, but admission may be restricted depending on the congestion inside the venue.

※If you enter with a ticket on the day, you can watch the talk event by standing.

※During the talk event, video shooting in the venue is not possible, photography with people is not possible, recording is not possible.

※During the talk event, you will not be able to see some works. Thank you for your understanding.

[Performer]
・Automoai
・Gen Matsushita (Memorial Baro A team, DJ, editor)
・Recording Saito (Memorial Baro A team, editor)
・Book Designer Tatsuya Kunieda
※Performers are subject to change.

About advance reservation of talk event

Advance reservations will be accepted for those who wish to view the talk event.

When making a reservation, please read the notes on the "Advance Reservation Application Page" carefully before applying.

●Advance reservation application page: https://t.livepocket.jp/e/49qdb

※Advance reservations for talk events are accepted on a first-come, first-served basis.

※Advance reservations can be made up to 2 people per person.

※Tickets will also be sold at the venue reception, but admission may be restricted depending on the congestion inside the venue.

※If you enter with a ticket on the day, you can watch the talk event by standing.

On December 29 (Fri), advance reservations will be given priority entry.

If you do not have a reservation in advance, you may have to wait until you enter.

※Advance reservations have been closed.

[Advance reservation time]
If you have a reservation in advance, the meeting time will vary depending on the reference number on the admission ticket.

Please be sure to check your reference number and come 5 minutes before the admission guide time below.

・Reference numbers A1 to A15 | 11:10 Information

・Reference number A16 to A30 | 11:30 Information

・Reference number A31 to A50 | 12:00 Information

・Reference number A51 to A70 | 12:30 Information

・Reference number A71 to A90 | 13:00 Information

・Reference number A91 to A110 | 13:30 Information

・Reference number A111 to A130 | 14:00 Information

・Reference number A131 to A150 | 14:30 Information

・Reference number A151 to A170 | 15:00 Information

・Reference number A171 to A190 | 15:30 Information

・Reference number A191 to A210 | 16:00 Information

・Reference number A211 to A230 | 16:30 Information

・Reference number A231 to A250 | 17:00 Information

・Reference number A251 to A270 | 17:30 Information

・Reference number A271 to A290 | 18:00 Information

・Reference number A291 to A310 | 18:30 Information

・Reference number A311 to A330 | 19:00 Information

・Reference number A331 to A350 | 19:30 Information

・Reference number A351 to A380 | 20:00 Information

Admission privilege

You will receive a tattoo sticker per person at the time of entry.

※Gifts are available only to those who have paid admission.

※End as soon as it runs out

It is said that the oil painting of this exhibition depicts fragments of landscapes that had been precipitated in memory.

Whether the precipitated memory is a reality or a dream, it is difficult to maintain consistency when scooped up from it, and it may be one way to know the perception of reality and the ambiguity of memory when looking at the past of memory.

At the same time, it seems to suggest the instability of the real world, and the ambiguous memory without means to confirm is an unspeakable history, and the reality on top of it is unstable and easy to depress, mirage It certainly exists.

It is something that has not been or has been, or vice versa, ghosts that are said to exist without scientific evidence, or, depending on a certain point of view, exist, Just like individuals who are said to be not, I am attracted and fascinated by the fact that what I saw in a dream is a reality, and that I think it is a dream that happened in a reality, just like that.

When we regard the ambiguity of such existence as the spirituality of memory, these works may be an attempt to sublimate them into a visual image (as a visible symbol).

[Online post-sales]

We will sell goods and some drawing works at ONLINE PARCO.

https://online.parco.jp/shop/e/e32779916/

●Drawing

・Sales period: Until 23:59 on February 29, 2024 (Thursday)

・Only one piece of each work. It will end as soon as it runs out.

●Exhibition Original Goods

・Sales volume is limited. It will end as soon as it runs out.

●nalgene bottle 0.5L: 3,300 yen

●Rubber keychain (2 types in total): 1,320 yen each

●Tote bag: 3,300 yen

●T-shirts (S/M/L/XL): 5,500 yen each

※All prices include tax.

※The image is an image.

※Specifications, prices, release dates, etc. are subject to change.

Turquoise from Bolivia

・Sales price: 4,400 yen (tax included)

・Publishing: Fire-house

・Appearance: 148 x 217mm, 256 pages

・ISBN： 978-4-9911745-2-0

Automoai AUTO MOAI

He started producing works in monochrome in 2015, and since 2018 he has made a lot of color, and is known for his style as if anonymous "existence" stands on the screen. The style, which is extremely objective but can be seen as a very personal scene, is the scenery that can be seen only because the necessary information such as the relationship between humans and the relationship between the work and the viewer has been cut down. Present the scene.

In 2015, Auto Moai began creating works in monochrome, has been using a lot of color since 2018, and is known for a distinct style in which a highly anonymous “presence” seems to be standing on the canvas. The artist’s style, which is extremely objective but also appears to be a very personal scene, presents us with views and sceneries that can be found through the removal of elements, such as the relationship between people and the relationship between the painting and the viewer.

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・Instagram： auto_moai

・X (formerly Twitter): auto_moai

・[email protected]