| Venue: | PARCO FACTORY Parco Factory Shibuya Parco Part 1/6F |
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| Period |
November 7, 2009 (Sat)-November 23, 2009 (Mon./holiday) ※Open during the exhibition period 10:00am - 9:00pm ※Admission until 30 minutes before closing |
| Admission fee: |
300 yen for general, 200 yen for students (tax included), free for elementary school students and younger |
| Contact | 03-3477-5873 (Palco Factory) |
| Host: | PARCO |
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| Planning and production: | TooR inc. |
The latest work by up-and-coming artist MASARU OZAKI with the keyword "MOTION + DESIGN + MAGIC" will be exhibited.
He is a leading figure in projection mapping art that compensates images to real buildings and objects in real time, and freely changes the three-dimensional objects and space itself, and is one of Japan's leading video directors, works on modeling design in this exhibition and creates retroactive animations.
Experience the time in front of you where the live video released by VJ MASARU is transforming from a plane screen to three-dimensionally. It also incorporates interactive elements that visitors can actually touch and enjoy.
He will also work on the Christmas tree that will appear at the Shibuya Parco store from November 9th (Monday). In conjunction with the exhibition, the space created by a tree that makes full use of three-dimensional images invites viewers to a world that has never been experienced before.
His witty work, which can be enjoyed by children and adults, will wrap you with wonderful magic.
Construction of a magic room that makes full use of video production.
Proposal of space incorporating interactive elements
- ●3D world experienced with naked eyes
- ●The world that changes when the lever or button is pressed
- ●The world view of ON and OFF, which is experienced by the visual gap between video projection and normal times, etc.
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ARTIST MESSAGE
When I first saw a magic show when I was a child, I believed that magic is really true. As I grow up, magic gradually disappears from me. But it was possible to do anything in the world of video. It's magic for me, and the wonder I saw when I was young and I don't know what's going on, leading to my current work. Adults and children can touch the work with the same eye height without stretching, and be able to come together with the same surprise and mysterious feeling. And when you actually see with your eyes that what is there is a real imaginary image, what is really important? I hope it will be a wonderful time to face myself.
MASARU OZAKI Profile
At the largest fashion event room in Japan held in February 2009, he scanned the National Yoyogi Daiichi Gymnasium for the first time in the world to produce projection mapping production that corrects images in real time and projections three-dimensionally.